-
10 Euros - Order hereAn unplanned journey, prompted by the urgency that certain news imposes on us — and suddenly, a city I had never been to became an inevitable destination.
I wandered the streets to pass the time, taking in a surprising spring.Amid the concrete, traces of life: leaves peeking through cracks, soft reflections on still water, green subtly asserting itself as a form of resistance.
The silence of urban nature stood in contrast to the restlessness within.These photographs are witnesses to those days — to the encounter between beauty and concern.
A bridge between urgency and contemplation.
And a phrase came to me, like a deeper breath: “So happy you are here.”
The Devil’s Bridge, also known as Misarela Bridge, is said to be the site of a fateful encounter between a fugitive and the Devil. Desperate to escape across the cliffs over the Rabagão River, the man struck a deal—his soul in exchange for safe passage. In an instant, the Malevolent one conjured a bridge over the raging waters. While some believe in this dark legend, others claim the bridge was simply built by human hands during the Middle Ages.© On Carnival Saturday, the people of the nearby villages gather for a shared meal before setting off in procession to the bridge. Wearing handmade masks crafted for the occasion, they carry Winter itself—only to burn it on the Devil’s Bridge, welcoming Spring and celebrating the eternal cycle of the seasons in harmony with nature.
10 Euros - Order hereAn unplanned journey, prompted by the urgency that certain news imposes on us — and suddenly, a city I had never been to became an inevitable destination.
I wandered the streets to pass the time, taking in a surprising spring.Amid the concrete, traces of life: leaves peeking through cracks, soft reflections on still water, green subtly asserting itself as a form of resistance.
The silence of urban nature stood in contrast to the restlessness within.These photographs are witnesses to those days — to the encounter between beauty and concern.
A bridge between urgency and contemplation.
And a phrase came to me, like a deeper breath: “So happy you are here.”
The Devil’s Bridge, also known as Misarela Bridge, is said to be the site of a fateful encounter between a fugitive and the Devil. Desperate to escape across the cliffs over the Rabagão River, the man struck a deal—his soul in exchange for safe passage. In an instant, the Malevolent one conjured a bridge over the raging waters. While some believe in this dark legend, others claim the bridge was simply built by human hands during the Middle Ages.© On Carnival Saturday, the people of the nearby villages gather for a shared meal before setting off in procession to the bridge. Wearing handmade masks crafted for the occasion, they carry Winter itself—only to burn it on the Devil’s Bridge, welcoming Spring and celebrating the eternal cycle of the seasons in harmony with nature.-
1
10 Euros - Order here
An unplanned journey, prompted by the urgency that certain news imposes on us — and suddenly, a city I had never been to became an inevitable destination.
I wandered the streets to pass the time, taking in a surprising spring.Amid the concrete, traces of life: leaves peeking through cracks, soft reflections on still water, green subtly asserting itself as a form of resistance.
The silence of urban nature stood in contrast to the restlessness within.These photographs are witnesses to those days — to the encounter between beauty and concern.
A bridge between urgency and contemplation.
And a phrase came to me, like a deeper breath: “So happy you are here.” -
2
The Devil’s Bridge, also known as Misarela Bridge, is said to be the site of a fateful encounter between a fugitive and the Devil. Desperate to escape across the cliffs over the Rabagão River, the man struck a deal—his soul in exchange for safe passage. In an instant, the Malevolent one conjured a bridge over the raging waters. While some believe in this dark legend, others claim the bridge was simply built by human hands during the Middle Ages.© On Carnival Saturday, the people of the nearby villages gather for a shared meal before setting off in procession to the bridge. Wearing handmade masks crafted for the occasion, they carry Winter itself—only to burn it on the Devil’s Bridge, welcoming Spring and celebrating the eternal cycle of the seasons in harmony with nature.
-
1
-
Céu reveals the intimacy of Céu Costa’s creation . Her hands give form to the very first idea on canvas, guided by thoughts, emotions, by the moment, by the silence that accompanies the narrative of the stroke. With them and through them we admire the creative process, which begins with the line on the blank canvas until the final work, capturing the magical moment in which the artist’s creation materializes on canvas.
The devil roams free on the night of August 29th at Praia da Luz. On this day, Peasants from the Algarve used to flock to the coast on a pilgrimage to purify their souls with a nighttime swim in the sea. Peasants no longer come, but accordion dances still take place in front of the beach. The local, national, and foreign communities gather as families on the sand, lighting bonfires, having barbecues, eating, drinking, and dancing. As midnight approaches, the crowd begins to gather by the water. At exactly midnight, chaos reigns: everyone rushes into the water for a purifying swim, screams and laughter filling the air. People run in and out of the water, splashing everywhere—chaos reigns for a few minutes… and then everything calms down. Wrapped in towels, the celebration continues on the beach. Praia da Luz, August 29th, 2017
Gran Morsa em concerto no Breyner 85 dia 20 MIP 2013-07-17 0 COMMENTS Os Gran Morsa irão atuar no próximo sábado, pelas 23h, no Breyner 85 no Porto. A entrada é gratuita. Os Gran Morsa apareceram na cena musical em 2011 pela mão de Filipe Prata, guitarrista e vocalista da banda do Porto que, ao vivo, se apresenta em formato “power trio”, com Zidro C. na bateria e Nuno Fernandes no baixo. Gran Morsa é também o nome do primeiro disco do grupo portuense, que é composto por 10 músicas originais que misturam rock pesado e pop-rock. “É um disco agridoce, com misturas de pop-rock e rock pesado e cujas matérias abordadas sofrem de emergência”, uma “reflexão” sobre os universos da “vida das pessoas”, conta Filipe Prata. Participaram também no álbum Gran Morsa os músicos Jorge Queijo (Tubab, Torto, Realejo), Zidro C. (Bad Legacy, Lendas e Mitos), David Fialho de Almeida (Plaza, Legoland, Gohya), DannielBoone (Out With a New, Bad Legacy), Marco Oliveira (Sloppy Joe), Nuno Fernandes (General Inverno, Gohya), Jorge Oliveira da Silva (Hospital Psiquiátrico, Malcontent) e o maestro Rodolfo Maia. “Arte Pós-Laboral”, “Maria Bravia”, “O Outro Candidato”, “Tempo de um Sonho”, “Melífluo”, “A Cidade de Zé”, “O Conta da Liberdade”, “Os Povos Gentis” e “As Escolhas” são os temas elétricos do disco, aos quais se junta o décimo tema, acústico, intitulado “Alice Sapatilhas”, com composição partilhada por Filipe Prata e Pedro Jorge, produtor, a partir de um texto de Emília da Silva Jesus.
In 2011, a song, “What a fool that I am” translated the feeling of dissatisfaction of a generation that would become known as “Geração à rasca”. In that year, some young people, encouraged by the Deolinda song, created a page on social networks that they called “Geração *a Rasca”, adapting the expression used in 1994 by the director of the newspaper Público, Vicente Jorge Silva, “Geração Rasca” to classify the behavior of young people that year they were demonstrating against the increase in tuition fees in higher education. The page was a huge success and from the numerous participations and comments, the desire to organize a demonstration was born that would materialize this discontent and revolt against precariousness, low wages and, above all, the lack of expectations for a better future. On March 12, 2011, the demonstration organized by the Movimento Geração à Rasca mobilized around 300,000 people of all ages, who participated in demonstrations in 11 cities across the country. In Porto, it is estimated that the initiative brought together around 80,000 demonstrators. This is my memory of that unique day.
Céu reveals the intimacy of Céu Costa’s creation . Her hands give form to the very first idea on canvas, guided by thoughts, emotions, by the moment, by the silence that accompanies the narrative of the stroke. With them and through them we admire the creative process, which begins with the line on the blank canvas until the final work, capturing the magical moment in which the artist’s creation materializes on canvas.
The devil roams free on the night of August 29th at Praia da Luz. On this day, Peasants from the Algarve used to flock to the coast on a pilgrimage to purify their souls with a nighttime swim in the sea. Peasants no longer come, but accordion dances still take place in front of the beach. The local, national, and foreign communities gather as families on the sand, lighting bonfires, having barbecues, eating, drinking, and dancing. As midnight approaches, the crowd begins to gather by the water. At exactly midnight, chaos reigns: everyone rushes into the water for a purifying swim, screams and laughter filling the air. People run in and out of the water, splashing everywhere—chaos reigns for a few minutes… and then everything calms down. Wrapped in towels, the celebration continues on the beach. Praia da Luz, August 29th, 2017
Gran Morsa em concerto no Breyner 85 dia 20 MIP 2013-07-17 0 COMMENTS Os Gran Morsa irão atuar no próximo sábado, pelas 23h, no Breyner 85 no Porto. A entrada é gratuita. Os Gran Morsa apareceram na cena musical em 2011 pela mão de Filipe Prata, guitarrista e vocalista da banda do Porto que, ao vivo, se apresenta em formato “power trio”, com Zidro C. na bateria e Nuno Fernandes no baixo. Gran Morsa é também o nome do primeiro disco do grupo portuense, que é composto por 10 músicas originais que misturam rock pesado e pop-rock. “É um disco agridoce, com misturas de pop-rock e rock pesado e cujas matérias abordadas sofrem de emergência”, uma “reflexão” sobre os universos da “vida das pessoas”, conta Filipe Prata. Participaram também no álbum Gran Morsa os músicos Jorge Queijo (Tubab, Torto, Realejo), Zidro C. (Bad Legacy, Lendas e Mitos), David Fialho de Almeida (Plaza, Legoland, Gohya), DannielBoone (Out With a New, Bad Legacy), Marco Oliveira (Sloppy Joe), Nuno Fernandes (General Inverno, Gohya), Jorge Oliveira da Silva (Hospital Psiquiátrico, Malcontent) e o maestro Rodolfo Maia. “Arte Pós-Laboral”, “Maria Bravia”, “O Outro Candidato”, “Tempo de um Sonho”, “Melífluo”, “A Cidade de Zé”, “O Conta da Liberdade”, “Os Povos Gentis” e “As Escolhas” são os temas elétricos do disco, aos quais se junta o décimo tema, acústico, intitulado “Alice Sapatilhas”, com composição partilhada por Filipe Prata e Pedro Jorge, produtor, a partir de um texto de Emília da Silva Jesus.
In 2011, a song, “What a fool that I am” translated the feeling of dissatisfaction of a generation that would become known as “Geração à rasca”. In that year, some young people, encouraged by the Deolinda song, created a page on social networks that they called “Geração *a Rasca”, adapting the expression used in 1994 by the director of the newspaper Público, Vicente Jorge Silva, “Geração Rasca” to classify the behavior of young people that year they were demonstrating against the increase in tuition fees in higher education. The page was a huge success and from the numerous participations and comments, the desire to organize a demonstration was born that would materialize this discontent and revolt against precariousness, low wages and, above all, the lack of expectations for a better future. On March 12, 2011, the demonstration organized by the Movimento Geração à Rasca mobilized around 300,000 people of all ages, who participated in demonstrations in 11 cities across the country. In Porto, it is estimated that the initiative brought together around 80,000 demonstrators. This is my memory of that unique day.
-
1
Céu reveals the intimacy of Céu Costa’s creation . Her hands give form to the very first idea on canvas, guided by thoughts, emotions, by the moment, by the silence that accompanies the narrative of the stroke. With them and through them we admire the creative process, which begins with the line on the blank canvas until the final work, capturing the magical moment in which the artist’s creation materializes on canvas.
-
2
The devil roams free on the night of August 29th at Praia da Luz. On this day, Peasants from the Algarve used to flock to the coast on a pilgrimage to purify their souls with a nighttime swim in the sea. Peasants no longer come, but accordion dances still take place in front of the beach. The local, national, and foreign communities gather as families on the sand, lighting bonfires, having barbecues, eating, drinking, and dancing. As midnight approaches, the crowd begins to gather by the water. At exactly midnight, chaos reigns: everyone rushes into the water for a purifying swim, screams and laughter filling the air. People run in and out of the water, splashing everywhere—chaos reigns for a few minutes… and then everything calms down. Wrapped in towels, the celebration continues on the beach. Praia da Luz, August 29th, 2017
-
3
Gran Morsa em concerto no Breyner 85 dia 20 MIP 2013-07-17 0 COMMENTS Os Gran Morsa irão atuar no próximo sábado, pelas 23h, no Breyner 85 no Porto. A entrada é gratuita. Os Gran Morsa apareceram na cena musical em 2011 pela mão de Filipe Prata, guitarrista e vocalista da banda do Porto que, ao vivo, se apresenta em formato “power trio”, com Zidro C. na bateria e Nuno Fernandes no baixo. Gran Morsa é também o nome do primeiro disco do grupo portuense, que é composto por 10 músicas originais que misturam rock pesado e pop-rock. “É um disco agridoce, com misturas de pop-rock e rock pesado e cujas matérias abordadas sofrem de emergência”, uma “reflexão” sobre os universos da “vida das pessoas”, conta Filipe Prata. Participaram também no álbum Gran Morsa os músicos Jorge Queijo (Tubab, Torto, Realejo), Zidro C. (Bad Legacy, Lendas e Mitos), David Fialho de Almeida (Plaza, Legoland, Gohya), DannielBoone (Out With a New, Bad Legacy), Marco Oliveira (Sloppy Joe), Nuno Fernandes (General Inverno, Gohya), Jorge Oliveira da Silva (Hospital Psiquiátrico, Malcontent) e o maestro Rodolfo Maia. “Arte Pós-Laboral”, “Maria Bravia”, “O Outro Candidato”, “Tempo de um Sonho”, “Melífluo”, “A Cidade de Zé”, “O Conta da Liberdade”, “Os Povos Gentis” e “As Escolhas” são os temas elétricos do disco, aos quais se junta o décimo tema, acústico, intitulado “Alice Sapatilhas”, com composição partilhada por Filipe Prata e Pedro Jorge, produtor, a partir de um texto de Emília da Silva Jesus.
-
4
In 2011, a song, “What a fool that I am” translated the feeling of dissatisfaction of a generation that would become known as “Geração à rasca”. In that year, some young people, encouraged by the Deolinda song, created a page on social networks that they called “Geração *a Rasca”, adapting the expression used in 1994 by the director of the newspaper Público, Vicente Jorge Silva, “Geração Rasca” to classify the behavior of young people that year they were demonstrating against the increase in tuition fees in higher education. The page was a huge success and from the numerous participations and comments, the desire to organize a demonstration was born that would materialize this discontent and revolt against precariousness, low wages and, above all, the lack of expectations for a better future. On March 12, 2011, the demonstration organized by the Movimento Geração à Rasca mobilized around 300,000 people of all ages, who participated in demonstrations in 11 cities across the country. In Porto, it is estimated that the initiative brought together around 80,000 demonstrators. This is my memory of that unique day.
-
1
-
More Pictures about Dark Cities and Vacant Buildings 2024#1 LIMITED EDITION OF 20 SIGNED COPIES. 40 pages 150x210 mm size printed in Munken paper. A vibrant collection of black and white street photography seen in Berlin by Luís Martins Pisco
More Pictures about Dark Cities and Vacant Buildings 2024#3 Limited edition of 20 signed copies 40 pages 150x210 mm size printed in Munken paper. A vibrant collection of black and white street photography. A roadtrip through daily life
More Pictures about Dark Cities and Vacant Buildings 2024#2 Limited edition of 20 signed copies 40 pages 150x210 mm, printed in Munken paper. A vibrant collection of black and white street photography seen in Dublin
More Pictures about Dark Cities and Vacant Buildings 2024#4 Limited edition of 20 signed copies. 40 pages 150x210 mm size printed in Munken paper. A vibrant collection of black and white street photography seen in Madrid.
More Pictures about Dark Cities and Vacant Buildings 2024#1 LIMITED EDITION OF 20 SIGNED COPIES. 40 pages 150x210 mm size printed in Munken paper. A vibrant collection of black and white street photography seen in Berlin by Luís Martins Pisco
More Pictures about Dark Cities and Vacant Buildings 2024#3 Limited edition of 20 signed copies 40 pages 150x210 mm size printed in Munken paper. A vibrant collection of black and white street photography. A roadtrip through daily life
More Pictures about Dark Cities and Vacant Buildings 2024#2 Limited edition of 20 signed copies 40 pages 150x210 mm, printed in Munken paper. A vibrant collection of black and white street photography seen in Dublin
More Pictures about Dark Cities and Vacant Buildings 2024#4 Limited edition of 20 signed copies. 40 pages 150x210 mm size printed in Munken paper. A vibrant collection of black and white street photography seen in Madrid.-
1
More Pictures about Dark Cities and Vacant Buildings 2024#1 LIMITED EDITION OF 20 SIGNED COPIES. 40 pages 150x210 mm size printed in Munken paper. A vibrant collection of black and white street photography seen in Berlin by Luís Martins Pisco
-
2
More Pictures about Dark Cities and Vacant Buildings 2024#3 Limited edition of 20 signed copies 40 pages 150x210 mm size printed in Munken paper. A vibrant collection of black and white street photography. A roadtrip through daily life
-
3
More Pictures about Dark Cities and Vacant Buildings 2024#2 Limited edition of 20 signed copies 40 pages 150x210 mm, printed in Munken paper. A vibrant collection of black and white street photography seen in Dublin
-
4
More Pictures about Dark Cities and Vacant Buildings 2024#4 Limited edition of 20 signed copies. 40 pages 150x210 mm size printed in Munken paper. A vibrant collection of black and white street photography seen in Madrid.
-
1
-
sold out
sold out
